1939 Tahitian Woodcut by Charles Surendorf "The Rape of Polynesia" 20/100 (KuK)

This woodblock is titled "Rape of Polynesia," created by the artist Charles Surendorf in 1939. It is numbered 28/100, indicating it is the 28th print from an edition of 100.


Charles Surendorf (1906-1979) was an American artist known for his work in the mediums of woodcuts, linocuts, and block printing, as well as painting. He often depicted scenes of the American West, and his prints are notable for their strong use of line and dramatic contrast, typical of his bold style in woodcuts. His work was part of the regionalist art movement, which focused on realistic depictions of everyday American life and landscapes. Surendorf's prints were often highly detailed and imbued with both narrative and symbolic meaning.


The content of this print, "Rape of Polynesia," appears to depict a dramatic scene set in a Polynesian environment, featuring an expressive, possibly allegorical or mythological figure. The combination of natural scenery with what may be cultural or spiritual symbolism reflects Surendorf's skill in using his art to evoke powerful imagery.


Measurements:

The woodblock image is 5 5/8 x 6 inches, framed is 19 x 17 inches.


Condition:

This woodcut is in good vintage condition. The print itself is well-preserved with bold, unfaded imagery and no significant damage to the ink. The matting shows foxing throughout, though the print remains free of noticeable tears, creases, or other imperfections. The piece is numbered 28/100 and hand-signed by the artist in pencil along the lower margin. Despite the foxing on the matting, the artwork presents well and retains its striking visual impact.

Condition: 

This woodcut is in good vintage condition. The print itself is well-preserved with bold, unfaded imagery and no significant damage to the ink. The matting shows foxing throughout, though the print remains free of noticeable tears, creases, or other imperfections. The piece is numbered 28/100 and hand-signed by the artist in pencil along the lower margin. Despite the foxing on the matting, the artwork presents well and retains its striking visual impact. Please see photos for details.