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Harnisch and Company

1830s Japanese Color WB Print Kakemono-e "Kitano Tenjin" by Hiroshige I (LeL)

1830s Japanese Color WB Print Kakemono-e "Kitano Tenjin" by Hiroshige I (LeL)

Regular price $849.00 USD
Regular price Sale price $849.00 USD
Sale Sold out
ebay template Up for sale from a recent estate in Honolulu Hawaii, this framed matted and glazed circa 1830s Japanese Kakemono-e color woodblock print that is untitled but depicts the famous Kitano Tenjin with an ox on his side also referred to as the God of Literature and was created by the well known artist Utagawa Hiroshige (1797-1858). The condition is described above for more information please check the photos. Free local pick up possible!!! The print can be shipped without the frame for a lot less $$$.


Measurements:

Print (by sight) 28 inches x 9 inches

Frame 34 inches x 13 inches


More about the artist:

Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, having created 8,000 prints of everyday life and landscape in Edo-period Japan with a splendid, saturated ambience. Orphaned at 12, Hiroshige began painting shortly thereafter under the tutelage of Toyohiro of the Utagawa school. His early work of narrow, vertical landscapes picturing thatched houses nestled between cliffs and vignettes of birds perched on flowering branches shows the influence of Chinese scroll painting as well as the previously dominant Kan school of Japanese painting.

Much of Hiroshiges work focuses on landscape. Partly inspired by Katsushika Hokusais popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (183334), completed after traveling that coastal route linking Edo and Kyoto. Mountains grow green and bands of salmon-colored sunrise hang in the mist in prints like MaisakaNo. 31, where traders and farmers mundanely pass by in the foreground.

Hiroshiges prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (185658). He died in 1858, 10 years before Monet, Van Gogh, Whistler, and a host of Impressionist painters became eager collectors of Japanese art. And so Hiroshiges surging bokashi, or varied gradient printing, lives onvisibly influencing artists like Paul Gauguin (see the Art Institutes Mahana no atua, 1894) and Frank Lloyd Wright.


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